Features

In the light of their upcoming fundraiser festival Cough It Up, EGOISM reflect on the ways their community have showed up for them throughout their enormous 2025.

Full Flower Moon Band’s chief sonic architect Kate ‘Babyshakes' Dillon explains the altruistic, universe building ambitions behind their new ‘Megaflower Deluxe’ project.

As Scottish outfit Travis return to Australia for the first time in 24 years, frontman Fran Healy reflects on their rise to fame, seminal album 'The Man Who,' and his own relationship with this country.

Benji and Joel Madden have been surrounding themselves with artists who make them look inward, and it’s resulted in one of Good Charlotte’s most honest albums to date and a massive live show heading to Australia in early 2026.

“I wanted to make sure that we showcased the fact that disability doesn't just look like a wheelchair user – disability looks like all different things,” explains Eliza Hull.

"Music was in his blood 'till the very end": saluting Bob “Bongo” Starkie.

"Some of the album is the heaviest music we’ve made but then there's other songs that are the most beautiful music we've written.”

Celebrating the release of her debut EP, 'Scripts Of Fate,' singer Jemma Siles has penned an op-ed about balancing her music career with medicine and her medical-wellness club, 'Club Siles.'

To celebrate the release of 'Growing Up Is Getting Old,' Aussie punks Nerdlinger have shared a track-by-track rundown of the album for The Muusic.

Ahead of the release of her new album, 'GHOST WORLD,' Alison Wonderland opens up about how Billy Joel inspired her to stick with music, her love for art, and progressing the "Australian sound."