Features

After almost a decade between albums, Melbourne trio Grim Rhythm come roaring back with a wordless record that's also surprisingly diverse.

As Cartel make their return to Australia for the first time in 13 years, frontman Will Pugh looks back on the stellar debut that changed everything for them.

The former Hottest 100 chart-topper went through the ringer, but has come out the other side stronger than ever on her fiery debut album.

Beloved Brisbane-bred outfit Last Dinosaurs are living proof that there’s no rules in rock’n’roll as they reimagine their second album ‘Wellness’ a decade after the fact.

Meg Mac knows who you think she is, but on album four, she's past the point of caring. She speaks openly with The Music about its unexpected but entirely welcome creation.

30 years ago today, Pulp frontman Jarvis Cocker invaded Michael Jackson’s stage.

From Peking Duk to Keli Holiday, Adam Hyde’s music has never been as naked as it is on his new independent album ‘Capital Fiction’.

From playing beachtown dive bars to supporting Ocean Alley and winning a Laneway slot, Mid Drift have accomplished a lot from a little, and it’s about to get even bigger with their new EP.

As Good Gumnuts returns for another impressive year, festival director Harry Badcock remembers its origins, how it's grown, and their myriad focuses for the fest.

As Upchuck ready themselves for their debut Australian tour, vocalist Kaila “KT” Thompson opens up about the influence of Amy Taylor and the force of new album 'I'm Nice Now.'

Featuring Bernard Fanning, Peach PRC, MARINA, King Stingray and more, QPAC's inaugural 'On The Banks' program is gearing up for a whole month of spectacular live music.

As Leftfield prepare their return to Australia, Neil Barnes shares stories about 'Leftism,' working with John Lydon and Fontaines D.C.'s Grian Chatten, and other tales with The Music.