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Sydney's Boy & Bear have topped the ARIA Albums Chart this weekend with second album Harlequin Dream . Going one better than their debut Moonfire , the album sold slightly less ... avoiding the proverbial 'second album syndrome'. As well as being strong contenders for ARIA Awards (they won five on the back of Moonfire ) their album tour dates are selling well

their upcoming headlining tour . The trio scored the number one position on the ARIA Albums Chart this week, edging out prog-rockers Dead Letter Circus and their latest effort

RÜFÜS , who last week pipped Dead Letter Circus to the top spot of the ARIA Album Chart with their debut Atlas . Boy & Bear 's 2011 debut Moonfire debuted ... before spending a further 39 weeks in the charts as they won five ARIAs at the 2011 awards. Harlequin Dream , released through Universal, is the strongest of last week

indie-dance outfit RÜFÜS have beaten prog rock outfit Dead Letter Circus to the ARIA Albums Chart summit this week with their debut album Atlas . In the first instance ... when Fleetwood Mac last had two records in the top 10, which is pre-ARIA. There's a new number one in the ARIA Singles Chart as well, with Jason

Australia (over 120,000 copies) and is currently at number two on the ARIA Singles Chart. Peaking at as high as 49 in the Billboard 200 ( after a steady climb

beautiful young woman in his routines.” With four dresses, four dancers, a Mozart aria and some high heels, The Little Black Dress Suite promises to collide couture and contemporary dance

award side of things, with their 2011 debut, Moonfire , nabbing five of the six ARIAs it was up for, while still remaining just on the outer of the 'popular' sphere

pivotal Hepfidelity album, saw him snare Best Album and Best Male Artist at the ARIA Awards – but now he seems to revel in continuing to just make music and tour

famous piece in Dido's repertoire throughout the tragic love opera is her final aria When I Am Laid In Earth , a tragic musing on fate that has come ... since before entering the Conservatoire in 2000. “I had been working on the arias at the Conservatoire,” recalls Ugolin, “And I even presented to enter the Conservatoire of Paris