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"It is most unlikely that I’ll ever sound like myself again. I consider myself lucky that this is not life-threatening, though the loss in my own small world is staggering."

"These bands have a way of inciting a good rage; as they did at BIGSOUND and as they will again."

“To us, Taipei Houston is about going against the grain in every aspect. We live in a time that is ripe with extremely difficult and confusing challenges. Technology grips the world more and more, politics have become so polarised, we are heading towards climate disaster. This music is born and bred out of the contemporary, buzzing digital anxiety we all experience, and how we can try to escape those feelings – even for a second.”

"The World Is 4000 Years Old."

"Ovule for me is my definition of love, it is a meditation about us as lovers walking around this world, and I imagine 2 spheres or satellites following us around, one above us that represents ideal love, one below us representing the shadows of love, and we ourselves walk around in the third sphere of real love, where the everyday Monday-morning meet-in-the-kitchen-love lives in"

“That's why I love this album. If I had written these songs back in the day, they probably wouldn't get released."

Our new weekly content series, USB-Sides will see some of Australia's and the world's best DJs showcase 5 tracks that they're spinning in their sets right now. We will dive deep into the USB's of these artists as they discuss how the tracks weave into their sets, how they caught their ear and why they absolutely dominate a dance floor.

In Spotify's 'mood playlists', a series of artists always dominate their top halves. Many of them have no digital footprint and a lot of them credit the exact same songwriters. Why are these mechanically created songs taking the place of real artists and bands who are working hard to grab these slots?

"I’ll just put that out there..."

It is all going down on the 25th of September and it's completely free.