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Remote Control Records  has dropped some massive news in the Australian music community today, announcing a new label partnership with Melbourne indie label, Bedroom Suck Records . While Remote Control

mixing desk, riffing on the sonic subtleties of reel recording. "They don't record sounds for movies the way they used to," he laments. "There's a character ... Pokemon Company, Great Southern Rail, and Nickelodeon among other major clients, proving his relatively remote location on Australia's far side isn't a barrier to his success in music

along to the track with ease while you sip from a coconut on whatever remote beach you've escaped to to beat the Australian winter. Because as we descend into ... particular would really suit the kind of sounds I like to write with. I recorded some horns and went to town on the percussion and ended up with some 'street

focus on race relations in a modern construct remains. Livesly takes complete production control, having biggest impact on striving tracks like Say Your Prayers – a heady amalgam of distortion, horns ... blistering take on Stand In Line recorded at Parramatta Park for 2JJ in 1981 we get eight (mainly Head Injuries ) songs recorded at Tanelorn Music Festival that same year

their incredible studio in Morin Heights, about an hour north of Montreal. The remote studio had been converted from an artist’s loft, with dried paint splotches all over ... have another opportunity to record in a professional studio again, so I knew I had to finish the song. The night before our last recording day, I sat downstairs

album, This Old Dog,  is out May 5th via Captured Tracks & Remote Control Records. It's his third full length release and his first since

Friday 7 April via the band's own Pool House Records and Remote Control Records . The 12-track LP is billed as The Smith Street Band's most cohesive

praise for "an album drenched in drama, lyrically, musically and emotionally". Impressively, among the record's "rampant rhythms, joyous gang vocals, gutsy chugs, sombre symphonic motifs and restrained angst", enticing ... fact that they're a heavy band buoyed by an alternative culture hasn't remotely impacted their ability to find a vociferous international audience, and time is running out — really

this 7 April on the band's own label Pool House Records (via Remote Control). Featuring a big-ass robot called Max and main protagonist Lilah, we had photographer

filled out the rest of the 2016 Power 50 which features figures from record companies to artist managers and even journalists. This year’s list also sees ... Select Music, Owner Stephen Halpin/Rodney Little - Groovin The Moo, Promoters Steve Cross/Harvey Saward - Remote Control Records, Co-Founders Susan Heymann - Chugg Entertainment, Managing Director Tim Janes - Caroline Australia, General