Reviews

Positioned somewhere between Sister Act, Puberty Blues and an awkward teen rom-com, Choir Girl, in its cross generational appeal, is a Comedy Fest surprise packet.

As bad as this film is, Wallis and McLeod redeem it with their acerbic wit. Together, they talk over the film, calling attention to its many faults, exchanging zingers, and expressing disbelief at the sheer badness of the film.

Legally, the court’s proved the racist claims to be wrong. Tonight, he proved the review to be wrong. Positive four stars!

His stories are self-deprecating, full of humorous faux pas, but we can silently relate to them, and really he’s not a bad guy at all, which makes this clever show all the more fun.

United, the cast deserve credit for the energy with which they deliver quick, genuinely funny, and theme-appropriate lines, keeping the audience entranced.

He is so likeable that in the unofficial feedback session that ended the show, the meanest thing anyone said was they didn’t like his suit.

Not content to simply play their latest, they head back to the beginning with Control from their 2004 EP Reset, and then to some new material.

It’s hard to remember a time when a crowd was as genuine about getting an encore as tonight, but there’s no disappointment. Good Friday? How about Fucking Great Friday.

Finally finishing with Blessed Love, at 64 Cliff isn’t just a living legend, he is fit, firing and as relevant as ever.