Stephanie Tell, Journalist

Despite its references to love, Heartstrings maintains a sweet innocence.

More accessible than their self-titled EP, the band’s new-found buzz status feels congruous with these easy-going dance grooves.

A more sincere, genuine brand of indie-rock, it leaves the no-longer-relevant quartet mildly redeemed.

After a while it’s enough to drive anyone into a paranoid fit. Despite some pleasantly odd disjointedness, there’s not enough to detract from these tracks’ tedious melodies.

Rhythmic guitar and Haydn Mansell’s soaring notes fuse effortlessly together in single Airhead as drums gently patter in support. However it’s closer Lonely Arms that truly embodies their airy, cinematic aesthetic.

Despite romantic tones and a full, hazy texture, their attempted poignancy just feels plastic. You can certainly hear the strings being pulled behind the scenes.

In their first examples of original material, this mash-up duo offer a concoction of punchy electronica that carries off like a celestial arcade game.

"the band’s strength lies in their flawless group dynamic, the trio creating a full, textured sound for their relatively small size."

This taster from their sophmore album certainly reveals what Rat & Co are capable of and should build up much intrigue for the new record

"Unique and moreish, On The Beach is a slow grind that comprises twinkling keys and echoing, robotic vocals."