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Amplify Australian Music Locally and Globally Vote Music 2025 recommends the modernisation of content quotas, prominence of Australian music on DSPs, the reviewing of Significant Australian Content (SAC) test ... Australian Content and Children’s Television Standards (ACCTS) guidelines, commitment to a quota of Australian content on streaming video/demand platforms, ensuring Australian artists support international acts (following Michael’s Rule

Globally This is a big one. Vote Music 2025 recommends the modernisation of content quotas, prominence of Australian music on DSPs, the reviewing of Significant Australian Content (SAC) test ... Australian Content and Children’s Television Standards (ACCTS) guidelines, commitment to a quota of Australian content on streaming video/demand platforms, ensuring Australian artists support international acts (following Michael’s Rule

proposed Australian music quota, Ormston added, “Streaming services are now the number one way Australians discover music. But without updated local content rules, Australian music risks being drowned

television, news and sport … locals are increasingly drawn to more accessible overseas content.  Audio streaming quotas would be complicated to implement. The Australia-United States Free Trade Agreement (AUSFTA ... national debate about whether we are America’s friend, or their patsy so local content quotas could soon look even more compelling. Do Australians  really  want to passively

ARIA Charts and Hottest 100 results, there’s been a renewed call for local content quotas on radio and music streaming platforms. The intention is admirable, but the continued ... smaller pool of Australian songs? What happens if other countries apply their own local content quotas? Are we really going to help new Australian artists break through the noise

station’s commitment to Aussie music still well above its self-mandated 40% quota.  Twelve months ago, across the same dates (February 28 - March 6) the highest spun songs ... seem to dominate a large share of voice across music platforms and algorithmically curated content,” Copeland said. “With triple j’s focus on Australian music and acts that resonate with

coincided with a then-record showing of 52 Aussie acts in the poll. Embedded Content This is a bit of a watershed moment for the countdown. This was when Aussies ... consistently play well over 50% of Australian music every week” – more than its mandated quota of 40%. Findlay added that “8 out of the 10 most played artists on triple

company Luminate . Australian acts only make up 9.2 per cent of what’s streamed. Content from the United States heavily predominates, with 61.2 per cent ... economy. It’s little wonder that the Australian music industry has been pushing for quotas in the playlists of major streaming players. APRA AMCOS called for a minimum

Hutt River Province was formed in 1970 when the WA government introduced new quotas telling farmers how much wheat they could grow. Leonard Casley believed the new rules made ... dream has come true/ God bless this land where dreams can come true .” Embedded Content Four decades on, Jon English is still not in the ARIA Hall of Fame