Reviews

Is all very polished, until little moments like the whistle solo breakdown of the title track shows there’s still some dorky humanity as well.

Covered N Money deserves the acclaim it’s received, but all eyes, and ears, are on André.

Singer Nathan Day looks suitably energetically troubled, and will no doubt find an audience of similar interests and angst.

Return listens don’t give the same ripples of connection, instead sinking into superficial mores, needing to bring out the kraut (which on Breath Low And Deep they prove is their strong suit) to stay afloat.

Four albums in and The Horrors have never sounded more confident in their auditory explorations.

Dream Of Reason is produced to a fantastic quality and is a huge step forward for the group.

I Never Learn is a transcendent work that will remain a high water mark for Li whichever river she follows hereafter.

You’ve got to hand it to Closure In Moscow, there are few Aussie acts flying the freak flag higher.

III is likely the group’s finest album highlight, CC, featuring none other than Savages’ Jehnny Beth, is a career fine point, yet the record frustratingly fails to push the band’s sound further than before.

The ease with which she blends styles and juxtaposes ideas so naturally is something to admire, and for locals, something to look at with pride.