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Reviews / Live
Reviews / Live
Live Review: Live, Lifehouse, The Calling
"There's a poignant moment when the band pay tribute to Chris Cornell, Kowalczyk uttering a few tearful words before the band play Audioslave's 'I Am The Highway'."
Reviews / Live
Live Review: Miscellanea
"HTRK's ability to create such beauty from tragedy is utterly transcendent."
Reviews / Live
Live Review: Acolyte, Orsome Welles, Mushroom Giant, Terrestrials
"The huge voice and radiating presence of frontwoman Morgan-Leigh Brown is the visual and aural focal point out front."
Reviews / Live
Live Review: Paul Kelly, Steve Earle, Middle Kids
"'Dan learnt his song when he was 13,' says Paul as he strums the 'From St Kilda To Kings Cross' intro."
Reviews / Live
Live Review: Kwame shares dark video accompaniment for 'Friends'
Australian hip-hop artist Kwame has rounded off a massive year with a new dark and confronting video for 'Friends', directed by Zain Ayub.
Reviews / Live
Live Review: Get some pep in your step with The Harpoons' new track, 'Reassurance'
Melbourne electronic/neo-soul four-piece The Harpoons have returned with 'Reassurance' - a frantic and catchy homage to UK Garage.
Reviews / Live
Live Review: Lorde
"The New Zealand talent kicked things up a notch, dishing out bursts of aggressive vocals between '80s synth lines and an intimidating beat."
Reviews / Live
Live Review: Ocean Colour Scene, Stillia
"Who was at last night's Take That concert?"
Reviews / Live
Live Review: Stella Donnelly, Asha Jefferies, Pool Shop
"It's no wonder Stella Donnelly is quickly becoming an Australian favourite."
Reviews / Live
Live Review: Ecca Vandal, Midas.Gold, Dangerpenny
"Her voice is so dynamic it's like its own little big band; every staccato, crescendo and trill is precision perfect."
Reviews / Live
Live Review: Hatchie proves she's one to watch with 'Sure'
Brisbane singer-songwriter Hatchie is back with 'Sure' - her sophomore single and an even more densely-layered exploration of dream-pop and shoegaze.
Reviews / Live
Live Review: Rainbow Chan questions sexuality, gender and love on 'The Creator'
Over sparce drum machines and sequencers, RAINBOW CHAN balances emotional intensity with a radical softness
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