Ben Preece, Journalist

“Being a debut record, we don’t know how to feel about it, we’ve lived with it for so long – all the reviews have been really encouraging so far."

"We’re not trying to make dance pop music but we are trying to make stuff that people will like live, it’s not like serious musicians sitting in the corner stroking our moustaches thinking that we can reinvent the wheel."

"The reaction you have is a physical, organic, visceral experience that is occurring from soundwaves and you’re changed for it. And you’re spinning out because of it – it’s a beautiful thing that keeps this music business world spinning around. It still is mystical to me and I fucking love the shit out of it!”

“The type of record it was dictated that the live show had to change. So yeah, I put on a gold suit every night like an idiot and have a lot of fun."

Another interesting chapter in the Tegan And Sara discography that, as a whole, is one of the finest in modern music.

It’s a remarkable record in its subtlety and one that reveals itself steadily to become utterly beautiful the more spins you give it.

"Django Django’s sound picks up where the likes of The Rapture and Klaxons left off, without really sounding like either."

"David and I also dance – the show has a really nice dramatic art, combining modern theatre and modern dance and, I guess, modern music."

As they quickly run through an encore that includes stomper I Feel Better and festival anthem Let Me Be Him, you know these stupidly talented Brits are only just getting started.

“I think it’s a strong record yeah, I made it and I still like listening to it."

“Holland, of all places, is where it’s at for us,” the music of Will & The People is connecting all over the globe.