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makes you feel, not how it was produced.” Former ARN Chief Content Officer and now independent radio consultant Duncan Campbell backed up Joyce’s take, saying: “Radio ... radio, but its dominance was having a distinct impact on the Australian music quota that stations are obliged to play. From Monday to Friday last week, between

just history repeating. As CD Media Consultancy Founder and Principal, and former ARN Chief Content Officer, Duncan Campbell said in a comment shared on a LinkedIn post recently, "Radio ... peak hours, but they now have to compete with AI-generated music within that quota.  It's no wonder that local artists are angry. The general public, in contrast

slide, they shared what human-made music they’ve been playing instead. Embedded Content The Australian radio industry publication Radio Info published a piece yesterday from Jen Seyderhelm about ... need for “better guidelines” on what constitutes an Australian recording for Australian radio quotas, using Fawaz’s hit as a case study. Seyderhelm added that, while she appreciates that Fawaz

practice of going out. For music streaming services, it suggested both a levy and content quota to “increase visibility (of emerging Australian acts), rebalance algorithmic bias, and strengthen the domestic

anything, it should be easier for Gold stations to furnish their playlists with local content than it is for top 40 stations.  The shame of this is that ACMA ... extremely disappointed that despite all the evidence put forward showing that these quotas aren’t working, the ACMA has not pursued any reasonable or practical changes,” Herd said. “CRA Code

sounds of Australia heard. So we’re let down right from the top.” Embedded Content Three D Radio is trying to address the imbalance and the lack of institutional support ... what anyone plays, except we have a couple of quotas that need to be met: 40% Australian, 40% femme content, and 25% local.” Over the years, they have watched local

outlook for the station as they pledged to ensure a greater spotlight on local content. With Kelly a key on-air advocate (along with Seany B), the shake ... thinking that CHR is a dirty word.  With the highest Australian music quota of any commercial counterpart, the station is proudly waving the local flag. THE MUSIC SPEAKS

formats (which requires 25% local content), this changed, with stations en mass re-categorising themselves to new formats with lower quotas in 2018/2019 following questions from the music industry around ... reporting under the “easy listening” category with a mandate of just 10% local content, but Commercial Radio Australia confirmed to The Music that the format was officially changed this year

buildings alongside the new. I love that. And I relate to it.” Embedded Content Emily is stumped when asked what artists she has been compared to. “If you are reading ... There are two big ones that come to mind,” she responds. “First, radio quotas.  “We have an incredible amount of local talent, but if Australian songs are not being

possible for a country with a 25% top 40 radio quota to be missing Australian content among its most-played hits. The Music crunched the numbers on the three Sydney ... both registered as a Hot AC with a 20% quota. The only format with the often-quoted 25% mandatory content level is CHR (Contemporary Hit Radio