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anything, it should be easier for Gold stations to furnish their playlists with local content than it is for top 40 stations.  The shame of this is that ACMA ... extremely disappointed that despite all the evidence put forward showing that these quotas aren’t working, the ACMA has not pursued any reasonable or practical changes,” Herd said. “CRA Code

sounds of Australia heard. So we’re let down right from the top.” Embedded Content Three D Radio is trying to address the imbalance and the lack of institutional support ... what anyone plays, except we have a couple of quotas that need to be met: 40% Australian, 40% femme content, and 25% local.” Over the years, they have watched local

outlook for the station as they pledged to ensure a greater spotlight on local content. With Kelly a key on-air advocate (along with Seany B), the shake ... thinking that CHR is a dirty word.  With the highest Australian music quota of any commercial counterpart, the station is proudly waving the local flag. THE MUSIC SPEAKS

formats (which requires 25% local content), this changed, with stations en mass re-categorising themselves to new formats with lower quotas in 2018/2019 following questions from the music industry around ... reporting under the “easy listening” category with a mandate of just 10% local content, but Commercial Radio Australia confirmed to The Music that the format was officially changed this year

buildings alongside the new. I love that. And I relate to it.” Embedded Content Emily is stumped when asked what artists she has been compared to. “If you are reading ... There are two big ones that come to mind,” she responds. “First, radio quotas.  “We have an incredible amount of local talent, but if Australian songs are not being

possible for a country with a 25% top 40 radio quota to be missing Australian content among its most-played hits. The Music crunched the numbers on the three Sydney ... both registered as a Hot AC with a 20% quota. The only format with the often-quoted 25% mandatory content level is CHR (Contemporary Hit Radio

Time , the song that helped propel Gough Whitlam to become Prime Minister. Embedded Content When Gough met Col, he asked the singer what he could do for the music industry ... needed to play more Australian music. When Gough was elected, he increased the Aussie quota on commercial radio. Col Joye was part of ARIA’s first induction into the Hall

visited there four times by last year and continually tops local Spotify charts. Embedded Content He recorded with emerging singer-songwriter Maki  and plans to work with folk ... industry is calling for. As reported in TheMusic.com.au , these include more export dollars and quotas for streaming playlists and radio airplay, which will provide a greater pool for acts ready

Amplify Australian Music Locally and Globally Vote Music 2025 recommends the modernisation of content quotas, prominence of Australian music on DSPs, the reviewing of Significant Australian Content (SAC) test ... Australian Content and Children’s Television Standards (ACCTS) guidelines, commitment to a quota of Australian content on streaming video/demand platforms, ensuring Australian artists support international acts (following Michael’s Rule

Amplify Australian Music Locally and Globally Vote Music 2025 recommends the modernisation of content quotas, prominence of Australian music on DSPs, the reviewing of Significant Australian Content (SAC) test ... Australian Content and Children’s Television Standards (ACCTS) guidelines, commitment to a quota of Australian content on streaming video/demand platforms, ensuring Australian artists support international acts (following Michael’s Rule