Reviews

There is joy present (Singie) and conscious lyrics dissecting the world (Cabinet Fever, Bullyman) and Dubmarine sit comfortably in both spaces, creating a uniquely Australian sound that makes you think as much as it makes you dance.

With the temperature rising, the sounds of Atlas are set to be everywhere, and already they make you long for those euphoric times.

The live instrumentation entwined with the evocative synth lines and Morris’ bold vocals elevates Calluses to a glorious statement of intent.

Park manages to keep the atmosphere at just the right balance of creepy, gripping, uncomfortable and sensual; watching Stoker is a brilliantly conflicting experience.

Kutcher proves that he may be the dullest actor currently working in American cinema.

The Little Mermaid sways away from the generic dramatic performance with its use of devised contemporary dance and powerful performances all round, creating something far more interesting and dark.

Intelligently directed, captivatingly designed, perfectly cast and superbly performed.

Both exhibitions bring into focus the importance of ‘disabled’ not having to mean ‘less than’.

Nonetheless, Other Desert Cities is a skilful and engrossing examination of family, sacrifice, histories and loss.

A cerebral and urgent dialogue play about base behaviour, with clear, incisive imagery and tight dramaturgy.