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Reviews / Live
Reviews / Live
Live Review: Scott Bradlee's Postmodern Jukebox
"From Charleston to Dixieland, half-time to double-time, staccato to sustained notes, there was nothing the performers couldn't handle."
Reviews / Live
Live Review: Max & Iggor Cavalera, Skindred
"Rizzo and Campos return for a final reprise of 'Roots Bloody Roots' and with this the cycle feels utterly complete."
Reviews / Live
Live Review: Horror My Friend
"Battersby propelled himself around the stage, stabbing his guitar at the boards while somehow playing each note perfectly."
Reviews / Live
Live Review: Tired Lion, Food Court, Foam
"It was Tired Lion who kicked the most arse."
Reviews / Live
Live Review: Max & Iggor Cavalera, Skindred
"The brothers visibly revelled in the encore's sheer joy."
Reviews / Live
Live Review: Tex, Don & Charlie, The Ahern Brothers
"At times the music was dark and brooding; Perkins and Walker painting livid lyrical pictures of revenge, drinking and heartbreak."
Reviews / Live
Live Review: Kllo's 'Downfall' video beautifully balances progression and nostalgia
Reviews / Live
Live Review: Lo!, The Nation Blue, Thorax
"Lo! show fans that time away has not diminished the violence of their sound."
Reviews / Live
Live Review: Atalein reworks a Snow Patrol classic into a haunting, ominous jam
Reviews / Live
Live Review: Mina and Bryte celebrate Ghanian rhythms on 'Make Money'
British producer MINA teams up with Ghanian vocalist BRYTE for 'Make Money', a track that brings the African rhythms of azonto to the club.
Reviews / Live
Live Review: London Grammar
"It was perfectly timed; the thundering applause felt righteous and cathartic."
Reviews / Live
Live Review: Rolling Blackouts Coastal Fever, The Spunloves
"'Julie's Place' was absolutely euphoric, its irresistible chorus galvanizing a crowd that was growing looser by the minute."
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