Reviews / Album

Though the grunge of their earlier work has been filtered out, clever songwriting gives this polished work plenty to sink your teeth into.

Shaken Up Versions treads too safely, offering no new ventures into the unknown while offering frustration to those yet to experience the live show.

The attempt at creating a varied dynamic feels forced, making for a scatty listen.

Anxiety Answering shows a lot of promise, but ends up ringing hollow and forgettable.

There’s much to love about this album but essentially Plastikman’s song remains the same.

Settling itself somewhere in the relative mainstream between Simian Mobile Disco and the Chemical Brothers, it’s a fun place to hang.

A disorienting and unrewarding listen.

Beautifully produced with an admirably light touch, this is a warm, generous record.

G-Eazy keeps it tight the whole way through and the album maintains its relaxed meditation on fame, girls and success to the very end.

The two are very technically proficient at banjo, mandolin and fiddle, so the instrumentals are a real treat, the final track, BCBCB (Bottle Crackin’, Back Crackin’ Blues) especially.

Keys To The Kingdom is a little gem, while Sideways has a compelling loose swagger.