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Come hell or whatever kicks into a higher gear with a more upbeat tone, low grumbles of distorted guitars and crisp drums hits back infectious harmonies detailing a ride

terms of getting into a studio, but then we were able to record certain tones for our guitars in a big studio using a Marshall stack for example, where ... could get really heavy tones that added so much to the sound on the record. Specifically on a lot of, or like on specific songs. So yeah, the studio definitely

guitar lead and a hi-hat heavy beat. With a laid-back but melodic tone, the vocals detail a conversation between two instructable figures speaking cryptically about the utility

someone's voicemail, almost to himself. It's a reflective monologue that sets the tone for the record, and finishes with a sombre singalong.  He said about the record

experience, with the entire crowd singing along and moving in unison, as the djenty tones, soft lullabies and harsh, angry screams all worked in concert to create what

track. Continuing to level up his signature breakbeats and bold bass tones, Luude teams up with Mattafix to put a fresh spin on cult classic Big City Life ... City Life see’s Luude utilise emotive synth layers and an iconically bold bass tone in conjunction with underscoring vocals to create an undeniable “ fun summer tune. ” On the release