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shortly afterwards. Walker's new record All-Night Ghost Town has a classic country sound, the kind of supreme penmanship that we've come to expect from the Gram Parsons ... Comatose , who made their maiden voyage to Australia especially for the festival. Then Sydney rock band Spookyland brought their stadium-sized sound to the Porch Stage. The grand finale

their chest with their scathing views on Australian politics and culture, with tracks like ' Australia Day ', ' I Have No Representatives ', and ' Great White Death '. As such ... comes out. It’s easy to post-rationalize these things but this is what sounds pleasing to us. If you’re into heavy-ish music, there’s something about that

that, in this style of music, it was really refreshing to see. Plus, it sounds like Davide was a real catch. Oh yeah, we really lucked out with ... along the way in this industry, fragility got squashed out and people, especially in Australia, have this "man's” attitude of just bottling shit up. People don’t look inside

would just be the fact that we got to spend our first time in Australia with them. We never thought that we’d get here or that a band would ... cool idea as well,” Osborne chips in. “If you can associate a sound and the feeling of listening to the record over a colour then it’s really cool

everyone to hear? Thank you! It feels great. Especially that it’s out in Australia is awesome. What were you guys listening to when you wrote the album? Are there ... Molly yet, how would you describe yourselves? We are three lads enjoying the trio sound and having a good time. All of us are kind of different but similar

asking, "What's your secret with the snare?" It just sounded so good on top of a Truth metal drum. That's actually fantastic! I love that story ... before I let you go celebrate is the concept of Under 18 shows in Australia. I know a lot of bands out there who come to Australia are blown away

compact set. How do you think this is going to work logistically in Australia? Jesse: It’s going to be a huge pain in the ass, a lot of work ... machines and writing a few pieces on the fly and getting feedback from the sounds of the synthesisers and working with kind of unexpected results and refining those results