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important strides toward providing solutions to these issues, including a reassessment of commercial radio quotas and streaming policy.” In response to the policy, APRA AMCOS Chief Executive Dean Ormston said ... vibrant, healthy and sustainable music industry. “Australian songwriters, composers and recording artists create digital content from bedrooms to studios around the nation. It’s recorded, published and made available

encouraging to see ACMA address the fact that Australians are currently consuming more content, across a wider array of sources, than ever before. In this environment, it’s critical ... local music, now is an ideal time to examine the way current quotas on homegrown content are working and whether they are meeting their intended purpose.” Earlier this year

local screen content quota debate around streaming services rages on, international juggernaut Amazon Prime Video has made a big commitment to Aussie productions. Announced at an event in Sydney earlier ... Australian writer and director Kacie Anning all being greenlit. Also on the new local content slate is the Cate Blanchett -produced Burning , the first Amazon Australian Original feature-length documentary

point out its local successes, the report arrives at a time when the local content quota debate is at boiling point. The Federal Government is currently considering a local content ... quota for Netflix and other streaming services "that currently have no obligation to produce original Australian content". The proposed reforms would include a law that would require a percentage

Arts Alliance ( MEAA ) has welcomed news that the Federal Government is considering a local content quota for Netflix and other streaming services "that currently have no obligation to produce original ... screen sector which has seen local stories suffer at the hands of content quota suspensions and production shutdowns, this is an exciting and welcome development for Australian audiences, as well

stop people from lumping you into certain categories or booking you to fill a quota. For me, I want to be booked because I’m good at what ... family, where I come from. I am proud to be an Indigenous woman. Embedded Content Follow Tia Gostelow: FACEBOOK

underneath that, better get to know JamarzOnMarz ahead of what's next: Embedded Content Tell us about yourself? My name is JamarzOnMarz. I’m a lyricist, and saxophonist ... viewed as ‘a gamble’. I want more industry support for queer artists (booking quotas at festivals for example) and for the queers to rise together. Where can we find more

Nations music a category nomination in 'Best World Music' for the ARIA Awards?" Embedded Content The floor then opens to others, who share some brilliant insight and responses ... gesture." Continuing, she says she'd love "a mandatory quota for local acts for every major local festival," on top of that - something that could prove incredibly beneficial to Australian

towards quota achievement, but is accompanied by weakened sub-quotas. It is likely to mean the demise of children’s content on commercial TV, leaving a cash-strapped ... undermine Australia’s creative and cultural heritage. “The Government’s reforms to local content quotas must result in more quality Australian stories on our screens, not less. This will only

cruelly held back by the Government’s suspension of screen quotas for new drama, documentary and children’s content. "These are not celebrities we’re talking about. These are mostly

APRA AMCOS has hit back at the Government’s decision to remove Australian content quotas on free-to-air and subscription television in light of the COVID-19 crisis ... support through Screen Australia”. Last month, Screen Producers Australia said any reduction on local content quotas would be "a hammer blow to a production sector already on its knees