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Reviews
Reviews / Arts
Bane Trilogy: II
"The storyline – with the second episode involving Bane’s one-time friend who’s turned into a monster by radioactive sludge – is tight and peppered with gags. Make sure you catch all three instalments."
Reviews / Arts
Colin Lane: Presents
"This is a well rounded show; recommended for any fan of Lane’s and anyone who’s never seen him perform too."
Reviews / Arts
Michael Hing: Bildungsroman At 28
"Hing’s honest and rapidfire storytelling is engaging and endearing."
Reviews / Arts
Rose Callaghan And Mates
"Callaghan is a fantastic MC, driving home laugh after laugh as she energetically rolls through yarns about her hipster-infested share house and her dating disasters, with a splash of twerking for effect."
Reviews / Album
Album Review: Toy Boats - Wedding Town
"Costin-Neilsen retains the lyrical depth he displayed on his EP Diamond Teeth, and the title track is a very pleasant way to spend six minutes."
Reviews / Arts
Simon Taylor: Funny
"Despite his best efforts, by the end the show essentially folds in on itself."
Reviews / Arts
Steen Raskopoulos: I'm Wearing Two Suits Because I Mean Business
"Raskopolous appears affable and at ease on stage, improvising as he performs a series of loosely related sketches."
Reviews / Arts
Party Banana
"Immerse yourself in the world of Party Banana, a hilarious and exciting new piece of interactive theatre."
Reviews / Arts
Jennifer Wong: Laughable
"Wong is an endearing performer who combines set material and improvised elements based on audience participation throughout her show."
Reviews / Arts
Best Of British
"Melbourne resident and Brit expat Dan Willis puts together a different bill of visiting UK comics every day of the festival to do a solid ten or 15 minutes of material, which equals some of the best value at MICF."
Reviews / Arts
Sara Pascoe Vs The Truth
"If you’re in the mood for some clever comedy that veers through the realms of philosophy and science, this is a hot ticket."
Reviews / Arts
Jason Byrne In You Name The Show
"There’s not as much hauling people on stage to do mad shit as there’s been in the past – but it’s not necessary. Byrne’s at his best when focused, in the zone, and in full comedy flow."
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