Reviews

"I left the theatre as I should have after such a show: troubled. For this reaction, the show deserves a substantial accolade."

"The lighting is a mix of traditional circus spotlights and multimedia projections that give flight to the imagination."

"Director Grace Barnes’ production is gripping in its portrayal of ego and vengeance. The acting is amazing."

"Evangelism has never been such a solipsistic experiment and an audience has never enjoyed it so much. "

"The tragicomedy is a pertinent examination of contemporary fame – the public’s lurid preoccupation with, and objectification of, entertainers."

"Two families, perfect models of neighbourly harmony, find their relationship deteriorating through a string of small incidents that rapidly spiral out of control."

"A raunchy and occasionally debauched take on the modern tent circus, like a sexy, risqué Cirque Du Soleil"

"The play follows a saleswoman through the years of World War II as she plies her wares, making a profit from both sides of the conflict."

"The story is simple but effective, and the performances of the tight cast ensure that the loud parts bounce off the wall while the silent pauses hang beautifully."

"A fantastic mixture of easygoing witticism and relationship tension"

"The obvious camaraderie amongst the cast bleeds through Coolwell’s prose as conversations happen over cups of tea."

"Strong performances, fast-paced tone, sharp lighting and sound, innovative set pieces and stunningly sleek set design are enough to make this a definite crowd-pleaser."