Even if and/or when that hype dies down, we’ll still realise their songs are great and that they’re the kind of band we need far more of in the realm of commercial pop.
It's easy to be cynical about Haim. On one hand it all seems so contrived: three sisters who've previously had pop star aspirations finding their place in the spotlight via not-quite-underground indie circles playing an excessively polished brand of groovy pop that is frankly irresistible and oh-so-bloggable. But their first album makes it hard to deny that they have the songwriting and performing nous to back it up.
Days Are Gone starts in familiar territory; we've had time to sit on Falling, Forever and The Wire – practically perfect pop songs – but they proceed to prove they have more where that came from. The soulful pop-leaning title track is a sure-fire radio single, the dirty and dark R&B of My Song 5 channels Prince, while Running If You Call My Name has Haim jumping on the big cavernous, reverb-laden synth pop that's so prominent in the indie scene right now. Frankly, this is a record destined to be played in hairdressing salons all over the world; it's slick, sexy and just edgy enough to not feel like a guilty pleasure.
Rest assured Haim will become very popular in the coming months and years; there's simply no way they can't. But even if and/or when that hype dies down, we'll still realise their songs are great and that they're the kind of band we need far more of in the realm of commercial pop.
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