Anthony Carew, Journalist

"One of the oldest tricks of the romantic comedy is making you, too, fall in love with the love interest. 'Late Night' does that plenty well, and genuinely delights in doing so."

"What ultimately arises is a keenly-observed portrait of a flawed person."

It's the circle of life.

"Where so many teen movies are built on hostility, 'Booksmart' abounds with empathy."

'A picture that’s just as poetic as the music it’s historicising.'

Olivia Bartley is not Olympia. In fact, she'd rather "move to the country, play 'Tetris' and get fat". But ahead of the release of her second record, 'Flamingo', Anthony Carew discovers how Bartley wants to create art that is bigger than herself.

"A Marvel movie in conversation with what being a Marvel movie means."

"It’s a 'Freaky Friday' moment that should be treated as a fascinating philosophical question: what does old-fashioned rock’n’roll mean in the year 2019?"

Patrick Keeler, drummer for The Saboteurs, tells Anthony Carew about making a rock'n'roll record in a world where it feels like most music is electronic.

Ahead of his Australian tour this month, Bert Kreischer explains to Anthony Carew that he's always feared missing out on the party – and he still can't resist an invitation.

'Men In Black: International' features not a single memorable piece of photography, montage, screenwriting, or even fan-servicing brand-management.

The Sydney Film Festival kicks off tonight!