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Ross Clelland, Journalist
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Reviews / Album
Album Review: Elvis Costello & The Roots - Wise Up Ghost
Now his own musical almanac, this adds to Elvis Costello’s now many collaborations
News / Music
It’s ‘A Fucking Miracle’ Beasts Of Bourbon Are Back
Life's not been easy for one of Australia's most notorious rock bands
Features / Music
The Back With Three Beasts
"Of course you never thought that far ahead. But I don’t see why we can’t keep doing it - as long as we’re all still alive, and sort of well."
Reviews / Album
Album Review: Bastian's Happy Flight - Heart/Works
Not as obviously pisstaking and one trick as Donny Benet, but a lot may depend on how seriously you regard Hall &/or Oates.
Reviews / Album
Album Review: The Smith Street Band - Don't Fuck With Our Dreams
They make music that really feels, and even better, that feels real.
Reviews / Album
Album Review: The Sures - The Night Hero Waste Time Getting Better
Young and intriguing. And potentially very fine.
Reviews / Album
Album Review: The Preatures - Is This How You Feel?
They’re going to be massive.
Reviews / Album
Album Review: Wendy Matthews - The Welcome Fire
Her voice still feels and aches, and draws you in. Just classy.
Reviews / Album
Album Review: Tigertown - Wandering Eyes
Said telly song – What You Came Here For – is the shiny end of their oeuvre, but work through to My Ghost to find the band’s delicate face.
Reviews / Album
Album Review: Don Walker - Hully Gully
The stories, like the drive out of the ‘Cross in Young Girls, or the wait as the tide ebbs On The Beach, are heat-hazed atmospheric things, but elsewhere it seems he feels the need to play up that nasal twang to almost parody.
Reviews / Album
Album Review: Died Pretty - Lost Reissue
Perhaps aptly, Lost is also about what’s not there, but now is. As their distributor procrastinated over its release through 1988, the band finally found the right way into a crowd favourite.
Reviews / Album
Album Review: Cash Savage And The Last Drinks The Hypnotiser
The real business here is the almost hymnal ache of I’m In Love – the banjo just a pluck underneath, and a mourning trumpet emphasising the arch in her back, and the fall she knows almost seems inevitable.
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