Justine Keating, Journalist

What Myers deems as a potential overshare makes for a loveably real album – one that has been constructed with a brilliant cautiousness.

For what they’re trying to achieve throughout a majority of Ballet In The Badlands, The Chemist are lacking the necessary audacity to pull it off. It’s when they strip things back that they really impress.

Chelsea Light Moving is an incredibly hypnotising album, but it’s something of a letdown. At no point does it ever tip the scale and become exciting.

It comes as absolutely no surprise that the production on Welcome Oblivion is near flawless, but How To Destroy Angels still have a little bit of work to put in before they can lose the Nine Inch Nails reference point.

Eyes Like The Sky sees the narrative mingle perfectly with the instrumentation, creating a world you can almost see.