Justine Keating, Journalist

The final encore is a performance of Misery Business that unleashes all of Williams’ sass and vigour as she lets down her hair and tears up the stage with the help of an audience member whom she invites up.

This is the kind of album you’ll either love or you’ll hate.

There’s little trace of imitation and more of appropriation as they’ve managed to craft something recognisable as their own.

It’s certainly not for the faint of heart, but for those who can stomach filthy, erratic punk music, Honeys will have you completely immersed.

Despite comparisons to Paramore, after hearing Threads, it’s hard to liken their intelligent brand of pop punk to the likes of more trendy, indie acts.