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When asked when and where the last Primal Scream show was, Gillespie makes a sound like an exhaling horse. "The last gig, right, was, hold on, um, the very last ... your own, and you've just been in America for a few weeks, or Australia for a few weeks, or Japan, and you're just havin' a great time with

Honest Crooks will be taking their brutal, hardcore and death metal influenced beatdown sound around Australia in late March and throughout April as they play ' Suffer ' in full. They

there's usually a long period of us just figuring out what kind of sounds are appealing to us at the time. This time, when we first started getting together ... satirises our career and the critics." Intriguingly, MGMT are rumoured to be returning to Australia mid-year for Splendour In The Grass, where they headlined in 2009. "There is something

release of her debut album. Consider this your warning Australia, it's not long before Elohim's sounds make the journey across the pond, so here's your chance ... down and start from total scratch. I am heavily inspired by weird, unique sounds. Not having a set way of doing things keeps it really interesting and fun. There

favourite rising electronic acts, most notably taking on a dark and menacing sound for their raving, late-2017 affair   I Am One . We went on to name them ... Memory Melbourne's Planète is a name familiar to many up to speed with Australia's house and tech scene, having supported names including Jacques Greene and Jon Hopkins

brand new record label, Wild Thing Records, is being created to unite the Australia progressive music scene - in a similar vein to what UNFD has done for hardcore, punk ... setting. The Omnific are a Melbourne-based three-piece with said configuration and the sound they create resides in the progressive, experimental and even fusion-esque realms. This is extremely

first shows back in 2011 to now that you’re presumably older and wiser? Australia is like a second home to us now. Of course touring has changed ... that song? How do you go about writing about heartbreak and love without sounding cliché? I remember Hannah playing me the demo on a late night drive home from some

overarching theme of First Light: Volume 1  proves what many familiar with Australia's house scene have been saying for years – the future is quickly approaching ... wouldn’t even call electronic. Can you tell us about this variation of sound on your compilation? What is it that draws you towards such a varied mix of productions