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Marco . Jon’s initiation was to stage dive from the subs and crowd surf for an entire song. The singer stands in an oversized sweat drenched Mickey ... their DJ set out at the Village again, winding up with ridiculous pop tunes better suited to a 90s night club. However, Justin Bieber, Spice Girls and especially

love to just sing was first of the final four out. Leaving the sub-Angus&Julia karaoke duo who did genuinely seem to love to just sing, the country ... Thing is, they’ve also managed to make it a pretty good piece of pop music, even in its discomfort as that guitar line rolls over and over in your

years later, The Chills have always delivered a distinctive brand of lush, shimmering pop, with overlaying guitars, oft-complex arrangements and compassionate, bittersweet lyrics. They always sounded defiantly like ... shame to see your heroes in particular kinda releasing sub-standard material. So that was the main thing, I didn't want to release anything unless I knew

labels, including Sia, Passenger, Fat Possum, Ben Abraham, Mistletone, Real Lies, Secretly Canadian and Sub Pop, to name a few, so, understandably, she's stoked to get cracking

seven-piece outfit Simone & Girlfunkle showcased some sweet driving pop with Bridget Turner's infectious joy warming the crowd, while at the back keeping to themselves were ... vocals, were a more apt choice for the evening's aim of exploring the sub-conscious, with songs titled Deep Demon Desire and Surreal. Some broody bass from Sandy Jones

which is typically Melbourne: a dark, electronic affair. It picks up as the sub bass does and overall it's not a bad way to open, but not mind ... this band back together playing shows and although the odd issue pops up here and there within their set, it's a privilege to see them on tonight

preference to attempts at shock value a couple of albums ago. The whispery ‘dream pop’ of Sydney’s Fabels is an often curious collision in its origins. Hiske Weijers’ accented ... that was the idea. To further sub-genre this musical world and in contrast to the above, RKDA call themselves ‘industrial dream pop’. This maybe means the balance is more

Amplifier (and perhaps anywhere) to simultaneously drink beer, eat a pulled pork sub, get your hair cut and listen to live rootsy dance music — theoretically at least ... stop dancing of their own. Each of the new singles — the pessimistic baroque pop of Monsters and the protest rap frenzy of That's Life  — were equally well