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The question remains – How do we make Australian music relevant to Australian audiences?

While Copeland didn’t tackle the almost impossible discussions around rating, relevance, and the regions, she did prove that the ABC continues in the right direction.

If you took nothing else from Taylor’s keynote, it was this: “B*tch, this is the entertainment industry, don't think about it too much!”

"The arts, and events like Bluesfest, are worth protecting," Noble said in an open letter.

"The key to understand, though, is we are working toward positive change; we just have to get it right."

“We get pretty enthusiastic audiences in the cities, but there’s an extra level of enthusiasm in country towns,” reports leader Tim Freedman.

"I don't feel like I have to get anyone's approval for anything anymore, which is very freeing as far as creating art goes," Higgins said of her empowering new LP, 'The Second Act'.

The Australian government aims to protect the economy, “society, environment and [the] rule of law, which would include copyright.”

Annabelle Herd explained it's a "decision to ensure industry recognition of the incredible contributions many artists have made to the Australian music landscape."