Reviews

It’s hard to accurately describe the many variations of Jonny Telafone, and it would be nice to have some time with just one. Nevertheless, Jonny Telafone highlights what a burgeoning talent he really is.

Flyleaf may not be groundbreakers, though they’re one of those outfits with an intrinsic gift for creating intricate melody in the context of heavy rock.

Tucker’s voice is still as jaw-dropping as ever, if not more so.

Overall, it’s a likeable rogue of an album and an ultimate treat.

While the three unreleased recent studio cuts that close things out are more than passable, you’re probably best going back to track one once the show is over.

Blockheads’ grind has always been noteworthy; now with the right label behind them there’s no limit to what they’re capable of achieving.

A different audience may have heightened the black humour of the piece, as there were a number of occasions where more audience interaction felt necessary.

Kate Champion’s choreography is brilliant, particularly evocative in the drawn out sex scenes featuring our pro/antagonist and a life-sized puppet.

It’s important to stress the music all night was fantastic, but the organisers would do well to go back to basics, so to speak, for the next ONO.