Reviews

His skills are certainly there, however, the live show lacks any ability to bring together his influences and create something distinctive.

As the night takes over and sunnies and hats are put away, Warpaint close Moreland Road Stage. The band stand stoic, bathed in purple and red lights, as they introduce the crowd to their most recent record.

This was a band in complete control, and it was as electrifying as it was intimidating, which is exactly what they were aiming for.

"It’s primarily penned with satisfying their dedicated following in mind, and on that front succeeds."

"On first listens, this release boasts all the most obvious signs of a dance release; elegant vocal distortions, punchy beats and strobing keys – a playful overall sound, perfect for, well… dancing."

"Jackie Onassis have tapped into a rare power to make a fun yet sophisticated hip hop EP, appealing even to those self-proclaimed haters."

"It’s opaque, thematically, but it’s easy to project onto such broad interesting canvases as these."

"This Belgian outfit’s dark, electro-rock offering is in a similar vein to Marilyn Manson, notably through their nightmarish, over-the-top cabaret aesthetic."

"For a third album it’s a fairly stock-standard change-up, however, its lack of punch may not resonate with some."