Reviews

While we’re still hearing a fairly atypical post-hardcore formula, Unconditional sees Memphis May Fire create something that stands out as opposed to blending in.

Valdaway’s first EP is packed with tunes making you want more from the little Perth band.

The Good Life, the closing defiant anthem and opening track from Rose’s self-titled EP (being launched tonight), is final proof that we’ve all witnessed a monumental talent on the way up.

Calming as the nine songs of barely-spoken vocals and unassuming melodies may be, none are striking enough to warrant a place as the centrepiece of your attention.

ou walk away enjoying this, but waiting to see if you love him. Single fodder.

It isn’t a best of – but it kinda is, because this is the most cohesive release they’ve put together to date.

This lacks a sense of occasion that would give their fifth full-length some sort of gravitas.

Waza effectively merges old-time nostalgia with a contemporary approach to genre and ‘found art’.