Tim Burton is one of the most unique filmmakers. His bold vision lead to great films (Beetlejuice, Edward Scissorhands, Ed Wood) but in the past decade he became a joke, creating horrible cinema (everything save Big Fish and Frankenweenie). His latest is Big Eyes.
Big Eyes tells the true story of artist Margaret Keane, famous for her paintings featuring large expressive eyes. The film covers her marriage to artist Walter Keane (Christoph Waltz) and her struggle behind the scenes as Walter takes the credit and fame for her work.
Superficially, this is the most un-Tim Burton film ever. However, it’s perfect for him dealing with what it is to be an artist and the struggle for identity. It’s made more impressive focusing on an oppressed female protagonist, treating it with love.
The film lacks the outlandish look/style of his previous work, yet is still beautiful thanks to Bruno Delbonnel’s cinematography and the striking colour palette. Despite the solid cast, it’s truly a two-hander with Adams and Waltz. Adams creates such a sympathetic character, conveying endless emotion though her big blue eyes. Waltz exudes charm, bringing out the humanity and sadness in an otherwise horrible man.
It’s the best thing Burton has done in years. It’s a fresh direction for him that could lead to more diverse, emotive, meaningful films like this.
