Against The Current Announce 2027 Australian Tour

Against The Current have announced two exclusive Australian shows for early 2027, their first gigs in the country since 2023.

Against The Current

American pop-punk group Against The Current are heading to Australia in January 2027, today announcing two exclusive shows on their Til Death & Back Tour.

For their first shows in Australia since 2023, the trio will perform at Melbourne’s 170 Russell on Thursday, 21 January, and Sydney’s Liberty Hall on Friday, 22 January. They’re set to perform gigs that are “bigger and louder” than ever, per a press release.

Fans who are signed up to the band’s website and follow the band on Spotify can access pre-sale tickets on Monday, 6 July, at 10 am local time.

The Early Bird pre-sale follows on Wednesday, 8 July, at 10 am local time, ahead of the general sale on Friday, 10 July, at 10 am local time. You can find tickets and more information on the Destroy All Lines website.

Singer Chrissy Costanza, guitarist Dan Gow and drummer Will Ferri formed Against The Current in 2011, when they were teens. Taking the project from a teenage project to a full-blown global phenomenon, the band have released two albums – 2016’s In Our Bones and 2018’s Past Lives – plus six EPs, and continuously release impressive singles.

This year, Against The Current have offered sneak peeks into their forthcoming, highly anticipated third album with the explosive new songs, Heavenly and Dead Man Walking.

In addition to new music and touring, 2026 marks the band’s 15th anniversary. They’ve shared the stage with Fall Out Boy, Good Charlotte, All Time Low, and more, engaging fans on headline tours and festival stages.

Away from music, they’ve made a lasting impact on the gaming world, having collaborated with Riot Games for the track, Legends Never Die.

In a 2023 interview with The Music, Costanza discussed the “empowering” decision to make and release music and tour as an independent band. “It’s very empowering. It allows a lot of… not just creative control; I mean, obviously, that’s the sexier part of it, right?

“We make all the creative decisions, and a label can’t be like, ‘This isn’t the right song, etc.’ But there are little things to it, which is much less fun to hear or talk about but really important to an artist’s livelihood, things like deciding how [your] budget gets allocated. When you’re on a label, there is a way to spend the money, right – however they see fit – and then you’re expected to recoup it.”

She added, “Just having that autonomy again, knowing that we’re in control and we get to say what goes where and what we spend money on and what we don’t, seems like it should be so fundamental and not something that you appreciate so much because it should just be guaranteed, but because we didn’t have it for so long, it’s been so wonderful to have.”

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