Industry

The new study claims that “Australia's music nostalgia boom is no longer just about INXS, Men At Work, and AC/DC."

Sam Duboff – Spotify’s Global Head of Artists, Marketing & Policy – discusses fears surrounding artificial intelligence on the platform, and the importance of maintaining humanity amidst a technological revolution.

“Funding shouldn't feel like a lottery or a trap; it should just be a support tool for your next tour, album, or campaign.”

“It’s really about making it easier and connecting the fans as seamlessly as possible to the acts they love," says Andrew Travis, CEO of AXS Australia & New Zealand.

"I am devastated," says founder Kat Dopper. "I am angry – for us, for our artists, for this city and its people.”

Trust.FM co-director Aakanksha Sidhu discusses the recent launch of Canberra’s new underground community radio station, which is the first of its kind in many years.

"I'm going to go out on a limb and say we don’t want this," Lorde said.

A hack of generative artificial intelligence music creation platform Suno has revealed source code that shows “at least decades worth of music" had been scraped from various online platforms to train its AI models.

The latest venues round-up has all the vital information on Australia's live scene, from new moves, new precinct trials, new records, and more.

"With Too Lost behind us, we can supercharge the next chapter for our artists and partners," says GYRO.Group CMO and Co-Founder Viv Mellish.

Just one week after opening, Divine Playhouse has been “forced to close the venue and cancel all events while we explore our legal options.”

“This is clear message to AI companies: now is the time to get on with licensing,” said ARIA CEO Annabelle Herd.