Lifetime

For our younger readers there's a good chance that most of your favourite bands wouldn't exist if it wasn't for Lifetime. Seriously, get back to me once you've asked Saves The Day where they get all their riffs from.

I was lucky enough to catch up with guitarist and music enthusiast Dan Yemin on the eve of their long awaited Australian tour...

Interview w/ Dan (Guitar) of

Lifetime

By Cameron Chambers

Hey Dan, how are you today? 

Good thanks man, who are you

doing this for? 

A website based out of Melbourne,

Australia called Killyourstereo. 

Cool, I’ll have to check

it out. 

That'd be great man. You

guys are in Japan by now yeah? 

Yep! 

Have Lifetime played in

Asia prior to this? 

Nope, never been here with

the band. I've never even traveled here so it's great man. 

I've heard nothing but great

things about Japanese audiences, what are you expecting from the shows? 

We'll, I'm expecting... actually

I've learnt not to have expectations because that way I'm not disappointed.

Not that I expect the worst but you know. I just don't want to go in

with any preconceived notions. 

I'm excited to play places

that we've never been before and to experience different cultures and

just see more of the world while collecting more experiences. Oh yeah,

and traveling with your friends is amazing! 

Winding back the clock a

or doyou think the intimacy of those headline gigs inspired

you guys to pick up where you left off? 

I think you hit the nail on

the head! If we had played Hellfest it would've been something of a

novelty experience... it wouldn't have left the same emotional impression.

We did it because they really tried to get us to play Hellfest

for a couple of years but two or three of us were adamantly against

it.  

Reforming for no reason other

than being paid for this big spectacle felt strange... It didn't seem

interesting or like the most honourable thing in the world either. We

always thought it would take the energy away from our prime musical

projects anyway so we felt that moving forward was the best thing to

do. The whole thing about music in any band is that it's the only time

that you're truly in the moment or in the now. 

I don't know if it's cultural

or human tendency but we spend too much time worrying about the future

or what we did wrong in the past. We fear the future and we regret the

past... even when the past was good and the future looks good we still

spend all our energy in anticipation, but performing live with a punk

or hardcore band is all about living in the moment. 

Moving forward musically is

a part of that man! 

Then the whole charity thing

came about and it really was a clever idea (from the Hellfest organizers)

because they figured out it was the only way to get us to do it. Punk

is musical tradition that pays attention to making positive change and

they really got me in the gut with that one... I can't turn down the

chance to do so much good for people.  

The festival was actually going

to be in this sports arena which holds 10,000 people and there would've

been a huge stage with a big barricade protected by big football player

security dudes. If you've seen us play – either back in the day or

recently – then you know that's not our style. We've only played one

show since reforming with a barricade. We always insist that the barricade

goes down! 

It was an interesting time...

we would've accomplished some good and it would've been fun playing

with our friends again but it would've been alienating from a punk rock

standpoint. Lifetime simply wouldn't have continued after that... we

wouldn't be a band now if the festival hadn't been cancelled. 

The whole thing forced me to

revise my rigid opinions of doing the band again. It's really special...

and I know it sounds corny but it's a really special and beautiful thing

to us.  

Lifetime could've very easily

that you hadn't written as a group for 10 years? 

Ari was the first to say it.

If we're a band then we're gonna write music. Bands that play old songs

and don't write new material are wedding bands. They play bar mitzvahs

and weddings and that's it.  

We love our old material and

it's withstood the test of time but if we didn't make something new

then we wouldn't feel like a band. We feel that it was important. 

I'm sure there would have

the reformation, what made you go with Decaydance? 

They just made it really easy!

They knew what we wanted and what we needed. We wanted to be careful

about honouring the legacy... and that might sound arrogant but it was

about staying true to what Lifetime was. 

Part of our idea for doing

that was... well, we had a lot at stake. We had this tradition and we

didn't want to spoil it. One thing that we really wanted to do was record

with the same person, at the same studio, that we'd done all our other

records. That person was Steve Evetts at Trax East Studios.  

It felt important to do it

the same way again... you know? 

To be blunt, that doesn't come

cheap because Steve is a big time producer and engineer now. Even with

a deal it's still an expensive proposition so we needed a label with

the resources but one which didn't have unrealistic expectations for

a bunch of guys in their thirties with kids and careers. 

In the nineties bands released

records and toured for six or nine months a year and that's not realistic

for us. Some of us are in multiple bands so we only have around four

to six weeks a year to spend on the road. Most labels if they're going

to invest in a record expect you to work a bit more than that.  

In 2006 and 2007 bands are

expected to work and tour constantly... and we can't do that. They were

the first label that was fully independent which was important to us

and they said they'd do the record without any unreasonable expectations.  

Are you a fan of many of

like Paramore or Cobra Starship? 

No. 

Taking into account the

when it came to writing Lifetime? 

At first, yeah. Before we wrote

the first song... I mean you'd get a different answer out of everybody

in the band but you've got me on the phone, ha ha.  

Several of us were like “I

hope we can do this justice” but once that first song was done said

that this is a good Lifetime song and that we can do this.  

We had a lot to live up to

and had a lot of expectation We were really aware that in this age of

the whole message board phenomenon we'd get crucified no matter what

we did... well, maybe that's a little too dramatic but people would

say it didn't up to the old stuff, that it sounded too produced or that

it wasn't produced enough. Whatever we did someone would complain about

it.  

You can't worry too much. We

were worried whether we felt it was a good Lifetime record and I think

we succeeded because I haven't heard too much negative feedback.  

Were you the dominant song

band? 

No, it's always been a collective.  

Did you have a particular

see what happens”? 

We just wanted to make a good

Lifetime record but we wanted it to sound like some time had passed.

We didn't want to re-do “Jersey's Best Dancers” or “Hello Bastards”

but we wanted it to sound as though we wrote another record two years

after the last one.  

History has shown that a

of music lovers? 

We didn't know what to expect.

Again and again I'm totally perplexed by the modern punk and hardcore

market place. I'm usually pretty astonished at what kinds find amazing...

I'm like “come on, that's what you're listening to”? Ha ha 

There's also so much brilliant

music that doesn't get a lot of attention. There's a generation gap

between us and your typical punk or hardcore kid so I had no idea what

to expect. We just wanted to honour the tradition that we laid down

in the first place and just make a good Lifetime record.  

A lot of people were cynical

and thought that we'd just cash in on emo or whatever is currently cool

on the radio. That stuff doesn't sound like punk to me at all... it

sounds like Poison or White Lion or something but with punk haircuts. 

I have no interest in making

a living off music, I'd rather just do it for fun and it's a lot better

that way.  

Punk has changed a lot since

1996, do you think Lifetime still have something relevant to say? 

We're definitely doing it for

ourselves... although that's not entirely true. It was most important

that the people we satisfied were us but if you only wanted to

do it for yourself then you'd stay in the basement.  

We wanted kids to like it and

we wanted to show that Lifetime songs are about relationships and universal

things like joy, pain and interaction with other people. It's just about

being in love with music and life... but it's about being disappointed

with all those things as well.  

It's been a long time coming

What can we expect from a Lifetime show? 

You can expect that we're going

to play hard for you. We'll be loud and fast and jump around make fools

of ourselves. We're just gonna play hard for you and put on a good show!

It's all about heart and just

playing aggressively and that still what we do. It's going to be a good

hardcore show with lots of singalongs and hopefully some kids still

stage dive in Australia! There will be lots of opportunities to jump

and sing and dance and hopefully be inspired. 

It was at this stage

schedule!  

Who are some bands you've

heard in 2007 that have caught your attention? 

There's been too many to mention

man. Government Warning and Fucked Up are two bands I really love. It's

really hard to think of... I'll have to check my IPOD.  

There's been lots of bands,

punk or otherwise in 2007. We played with a cool band from Australia

called Pisschrist... we played a basement show with them and Paint It

Black played a festival with them back in August.  

I'm trying to think who else

I'm feeling at the moment... 

I listen to a lot of hip hop

so the new Aesop Rock CD was my most anticipated for the year. 

“None Shall Pass” is

a great record.  

There's a band in the States

on Sub Pop called Test Jeans and I still listen to Naked Ray Gun every

day. Um, Modern Life Is War, Shook Ones, Municipal Waste, Blacklisted,

Mastodon, Marked Men. 

Let's see who else I heard

recently... Jay Retard. Have you heard him? 

Can't say that I have? 

He sang for a garage punk band

called The Retards but they were really catchy. He has a new record

called Blood Visions that sounds more like a lo fi Buzzcocks but much

more aggressive... with a new wave influence as well. You should definitely

check it out. 

Al from Milemarker has a new

band called Canadian Rifles who sound like Husker Du. I've been listening

to Hard Skin from the UK as well and Dillinger Four is still my favourite

punk band in the world.  

I really like the Future Heads

first couple of albums which I still listen to a lot. Um, Freeway has

a new album out this week... some Philly hip hop and the new Dinosaur

Jr is surprisingly good as well.  

Oh! Check out Cloak And Dagger

from Virgina... the same place as Strike Anywhere! 

Well, you heard the man,

we’re out of time mate. 

Make sure you come and introduce

yourself at the show man. 

Most definitely man, I’ll

see you in Melbourne. 

Make sure you catch Lifetime on their maiden voyage to Australia this December. Grab a ticket from the Kill Your Stereo store now or check

out more info on the band at http://www.lifetimenj.com or http://www.myspace.com/lifetimenj.