Kristy Wandmaker, Journalist

Come On closed out the night with additional tambourine and bell-bottomed dancer invading the stage to celebrate the show. A riff and lick love-in.

Heart Of Nowhere is like an ‘80s Cosby sweater: a little dated and daggy, but still warm and comforting.

This latest effort is produced by Bernard Butler, most noted for his involvement with Suede, and the influence is palpable.

The band have aged well, not trying to recreate what they once were or desperately holding onto their youthful glory. They continue to be exactly who they are and exactly as you’d want them to be.

Not just one or two members swapping instruments, but every player on something new – and doing it with a skill level most dream of on their primary.

It was truly a privilege and one that the crowd was reluctant to let go with two encores and a call for more echoing through the Beresford long after the band had left the stage.

The crew were crazy, classy, crass and cool as fuck.