Brendan Telford, Journalist

The band’s instrumentation is precise and energising, but Fever Belle remains an ambitious, if somewhat over-familiar attempt at expanding horizons.

"I like to think that going through the process of being creative means you’re touching on things that you’ve never encountered or attempted before."

Here comes Cannon with another release, and it’s as inherently fun and unhinged as ever

"For a long time I didn’t bother writing lyrics, I would just make up words onstage."

“That idea of there being something after death is something I find interesting, but at the same time intellectually I find it difficult accepting that."

“Not giving a fuck. It does feel like that, that a song is like a view into another dimension."

Much of Interiors’ instrumentation wouldn’t be far removed from a ‘hip’ label such as Not Not Fun.

From the seductive yet calamitous jam of Two Different Ways to the insidious march of Here Again, the white noise annihilation of old may have lamentably faded away, but what remains is a stone cold triumph of dance as industrial yet pragmatic energy.

Nick Thorburn has always known his way around all imaginable forms of pop hook – while there is less variation here, the earworms remain in fervent force.

Mole City is playfully weird, but above all else a truly fun rocking album.