Simon Eales, Journalist

A cerebral and urgent dialogue play about base behaviour, with clear, incisive imagery and tight dramaturgy.

“The story is dense, so you will essentially be creating your own story by the way you change the channel. That’s at your own discretion. No one will have experienced the same story by the end.”

There’s no set, save for a couple of chairs and a shimmery, gold backdrop, but the lighting, sound and direction hone sharp focus on a ‘meta’ string of tales which link up Kew, New York and Katz’s mind with the person that commands the stage.

Everyone, it seems, has something to say about whether Stone’s the devil, or one of llluminati.

"The affect is bodily, meditative, an absurdly profound sense of calm. The audience’s stillness and focus is palpable. Soft glitches, reverbs and repetitions caress to rest any desire for a destination."

“I guess the thing that you learn as a political comic is that you’re unlikely to have massive mainstream success."

“Obviously in other parts of the world genocide and ethnic cleansing are still occurring. It is so easy to shut our eyes, but this kind of thing is still happening."

“If you want a comic who won’t fake the funk on a nasty dunk, all killer no filler, I’m your guy."

“A kitten and a puppy are stranded hundreds of miles from home, and only Bruce Willis can help them get home by stopping Skynet.”