Reviews

It’s Delphic, but not as you know it.

While visually stunning, Masi lacks a coherent enough narrative to retain the kind of attention needed to completely follow this dialogue-less 70-minute piece of physical theatre.

Lewis’s symphony of Davidson’s short stories is dark, somehow nearly staccato throughout with its blow after blow, but incredibly beautiful.

Though few outside of Waterboys and/or Yeats fans would have really enjoyed this show, it was a great way to reinvigorate Yeats’ valuable canon.

It was just a shame that the intricacies of the mix were not crisper; sadly the bass and treble overpowered the detail, which was a flaw of the venue not the artist.

Get inside the mind of photgrapher Matt Irwin.

Five minutes with Hamishi.

Pic by Aleksandar Kostadinoski

Pic by Angela Padovan

Pic by Holly Engelhardt

Clark Jr’s most striking tracks are his encore solo numbers, songs in which he pays his dues to the eras and artists that feature heavily in the rich blues he churns with ease.

Ending on a buoyant Two Steps, Twice, it served as an astonishing reminder of how far they’ve come, and the exhilarating direction they’re heading in next.