Reviews

’s all slightly confounding, but in a way that drags you back in rather than deters – every song is jammed full of ideas and an interesting excursion in its own right, even if they occasionally end up in odd places.

Fabriclive 62 leaves the listener energised and enthusiastic about a genre that sometimes can be a little unfriendly and uninspiring.

"Forever Sky’High bears all the hallmarks of a premature release. Saturated with charisma and exploding with ideas, Sky’High’s debut album nevertheless lacks the requisite craftsmanship and maturity to warrant too many listens."

But Horisont have Axel Söderberg, and even if he over-does the falsetto at a few points, there’s no denying his skilled vocals are a welcome relief from some of the gravel throated wannabes.

Not having the same amount of input from Joey Ramone as on the album he worked on up until his death, Don’t Worry Bout Me, it’s hard to know how he would really feel about this collection.

"The argument that it is a positive thing to not simply clone a debut album exists but there lies a thin line between positive discovery and sabotage in the face of commercialism."

Tim “Ripper” Owens is a self-proclaimed industry nice guy, but even the vocalist’s patience limits were tested by some major technical difficulties during the take on Judas Priest’s Painkiller that opened proceedings.

Despite an almost vulnerable cover of Bloodbuzz Ohio, By The Horns is also a distinctly more assertive and matured Julia Stone.

PVT are nothing if not themselves, and do nothing if not remain true to their own sonic directives and style.