Album Review: Mark Lanegan & Duke Garwood - Black Pudding

Black Pudding is far from the first collaborative effort to come from Mark Lanegan and Duke Garwood. Garwood has played guitar on Lanegan's albums in the past, and the two have been seen on the same bill at various gigs for years, however, it's the first recorded studio album to come from the pair with dual credits.

Listening to the album, it's definitely the Lanegan show. He takes control of the proceedings with the same formula that has served him well for his previous solo albums, however, the influence of Garwood cannot be denied; his multi-instrumental contribution is subtle, yet has a distinct impact on the themes of each track, and the overall identity of the record. Opening title track Black Pudding and closer Manchester Special have the effect of bookending the album, as they are purely instrumental, guitar-focused songs. Black Pudding is a bold and intriguing opening statement, which possesses a slightly Spanish feel, while War Memorial has more of an old-world Americana vibe, which could fit brilliantly as the score to a modern country and western film. The addition of keys to Last Rung ushers in a spooky, haunting effect, while Cold Molly funks it up with some slapping bass and synths. With each theme change and instrumental grab Garwood's input can be heard, and always in the perfect dose. Without his diversifying sound, this record could possibly have run the risk of falling into sleepy, boring territory.

Lanegan and Garwood have found a great working balance for Black Pudding, playing to each other's strengths in order to produce a thoroughly enjoyable listen.