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Live Review: Slackk 'Posrednik'

British producer SLACKK, is back at R&S Records, paying audio homage to his predecessor and R&S alumnus, Aphex Twin.

British producer SLACKK is back with R&S label after half a decade of activity elsewhere, and it seems that his latest EP, Backwards Light, is something of a homecoming for both him and the record label.

Stand out track ‘Posrednik’ is an audio homage to R&S’ most famous alumnus, Aphex Twin. Posrednik apparently translates from Slovenian as broker, ie someone who buys or sells goods for others, an arranger, a negotiator. Slackk embodies the broker on ‘Posrednik’, a track that is clearly indebted to Aphex Twin, borrowing and rehashing sounds from his predecessor then marketing them for an updated grime-appreciating audience. Slackk’s a middle man for millennials intrigued by early 90’s sounds.

Slackk’s use of the Roland TB-303 electronic synthesizer is another homage to the original acid house scene of the mid-80s, which saw DJs experimenting with the 303 and its defining ‘squelching’ bass sound, favoured by Aphex Twin et al. Take a listen to Aphex’s song ‘Isoprophlex’, from 1991, and then listen to ‘Posrednik’ – there’s an uncanny similarity.

Although his sound is certainly not the most relaxing or easy listen, there’s a lot of musical technicality and historio-cultural nods weaved into the jarring onslaught. It’s not simply a throwback imitation; Slackk is creating futuristic grime that simultaneously sounds like the soundtrack to Bladerunner and something you’ve never heard before.

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Backwards Light EP is released on June 1 via R&S records.

Words by Katie Rowley

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