Dave Drayton, Journalist

Ralph Myers’ bare set (barely more than a piano) highlights Hamlet’s role in the construction of this world, and small flourishes – a bloody potpourri accumulating slowly – stand out starkly.

"I dunno, I guess I didn't know what were expecting, but we got more, definitely more than we were expecting."

“We’re used to just playing shows around here where 90 per cent of the crowd are our girlfriends’ parents or drunk friends that feel obligated to come to shows."

“The only thing you’ve got wrong is the friendly part. I don’t think there’s ever been anything friendly about our competition, and this will just be a continuation of that!”

Virkhaus' unique combination of art, technology and music have now put him at the forefront of experiential production

Shells hit the stage with terrifying realism, and Julie, having taken flight, clings to her cage underwing.

“I accidentally think I joined this cult yesterday."

"I interviewed him before and after every fight in the lead up to his world title fight just attempting to capture adrenalin on tape. I love this idea of action in the work, and this sense of present tense.”

Mr Percival provides for them perspective on what it means to care for another, on our roles in the world, and on what it’s like to leave the nest.

"There’s not many places left in the Western world for an outcast, an outlaw, a rebel, for someone, like Rooster, who is a law unto themselves."

"We can say it; girls fighting is still perceived as being really sexy."