Matt MacMaster, Journalist

The remaining songs offer little in the way of variety and can’t stand up against such an epic opener, but it’s a great listen. Just wash your ears out when you’re done.

The bleeding edge between performer and audience is where he lives, and he thrived on the thrill of trying to catch up with himself. We were right there with him.

It’s a really strong album full of detail and clean production flourishes.

His brave vulnerability is the key to his appeal on record but confident, generous performances like this one are a joy to behold.

The Opera House, a sometimes conservative institution of high art, was a suddenly a place for you and me again. It was fun!

There’s resonance and pathos in their songwriting that fills up the crevices in your head and heart, and weighs you down with a sweet sort of lead in your belly that feels both rare and important somehow.

To have a fun night stomping around to house music in such a beautiful old building is a testament to the progressive and encouraging way Sydney is engaging with music.

"Her work’s complexity has grown over three albums, along with her instrumentation, and she brought it all to bear with her band to great effect."