Stephanie Tell, Journalist

Though largely uninventive, this release delivers exactly what it sets out to in a frank, accessible manner.

Though not his best work, Apocalypse Soon proves a solid party mix.

Transportive closer Step Out Of The Shadows relies on the strength of Hansard’s melodious vocals to induce a romantic, traditional folk sound.

Instead of the original’s western aesthetic, Tattoo On Her Wrist mutates into a brooding, slithering number while still allowing bittersweet acoustic elements to ring through.

Bradley is backed by his tight-as-fuck band The Extraordinaires and the crowd is subjected to a set of pure enjoyment. We lap it up with glee.

With the floor buzzing beneath us and the crowd pulsating in feverous unison to an incomparable audiovisual display, FlyLo concludes an unforgettable live show.

Pearls and the title track are ecstatically fractured tunes, which showcase a unique brand of fresh, hyperactive electro-pop.

Instead they utilise a more free-form, ambling approach to song structures, ranging from light and playful to clanging and exploratory.

McHugh’s brand of Rasta-reggae is too pallid to be uplifting and too bubbly to feel genuine.

Colours reveals both sturdy foundations and room for growth.

Life’s A Ride doesn’t try to adapt or build. Rather, it seems content just plodding along.