Izzy Tolhurst, Journalist

When the hotly anticipated I’lls take to the small stage... there are flashes of Radiohead’s brilliance and delicacy.

"I wouldn’t dare try to write about something I didn’t know, but at the same time I appreciate a bit of a tall story… Sometimes, you just make them a little bit more colourful than the actual event."

"There’s no bullshit. That’s the whole thing [about] working with Ash – if it doesn’t sound good and if it doesn’t feel good then don’t do it!"

Overall, a musical that could have been a brightly coloured, high-pitched travesty is engaging, fun and a genuine success, where the film gets honoured while still allowing for creativity to be injected.

With the closing line, “I must have nothing in common with myself”, the total entrapment and isolation of insomnia is finally and most powerfully branded on the audience.

The documentary and gig alike attest to the endearing adage that for Knight, both the unlikely protagonist of a film and frontman of the supreme Cosmic Psychos, “you can take the boy out of the farm, but you can’t take the farm out of the boy”.

Hooper asks, 'what am I doing putting Hailey Cramer on before me? Am I undermining myself?'

He’s a talent that provides an exhibition that is addictive to watch, and gives total bang for your buck if you get the chance to witness it.

The music is confident and tight; Gillan Gregory’s guitar solos are particularly impressive.

United, the cast deserve credit for the energy with which they deliver quick, genuinely funny, and theme-appropriate lines, keeping the audience entranced.

I’m going to keep making records forever, as long as I feel enthusiastic about it, which I can’t really see that I won’t.”