Stephanie Liew, Journalist

"The Double is a solid step on the ladder of Ayoade’s career as a filmmaker; he’s got a distinctive style and staple actors to his work already."

"What could have provided fresh commentary on an ever-timely topic instead tediously and uncohesively rehashes existing (and arguably dated) plots, while taking itself much too seriously."

"Hing’s honest and rapidfire storytelling is engaging and endearing."

"Self-aware and self-deprecating, this Pom is worth your while."

"Lords Of Luxury’s bits between acts incorporate forced audience participation and feel like get-to-know-you group activities at school camp."

"Creasey’s smug but self-deprecating delivery consistently has the audience giggling and guffawing."

A.C.O.D. examines the complexity of love and relationships – as well as the way our parents shape our capacity for and view of those things – but lacks any real depth or shred of emotion.

After witnessing Phoenix’s faultless stage show, plus that extra personal touch, we’re really the ones who should be thanking them.

"The screen on the Sidney Myer Music Bowl stage begins playing footage of The National making their way up from backstage and thousands of fans cry out with excitement, adding to a roar that rises the closer they get."

Dallas Buyers Club is strongest when it tries to tell Woodroof’s remarkable story straight.