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effortless.' Last October, the album came out here. This year, with the thanks of Sub Pop Records, it's going global. “Relatively it's new, and definitely for the rest ... little time to sit, and consider his sudden success. “The whole Sub-Pop signing was a bit of a thrill,” he offers, continuing. “That was very exciting; we spent

community, making history as the first Aussie band to sign to renowned Seattle label, Sub Pop. Only just returned from extensive touring overseas, the boys are currently gearing

Warner) Sean Paul (Atlantic/Warner) Diggy (Atlantic/Warner) Bolar (Inertia) Les Momies De Palerme (Constellation/Inertia) UV Pop (Sacred Bones/Inertia) The Men (Sacred Bones/Inertia) Zammuto (Temporary Residence/Inertia) Clark (Warp/Inertia) Bambino Koresh (Laughing Outlaw/Inertia ... Trut (Soul Jazz/Inertia) Eddie Russ (Soul Jazz/Inertia) Commix (Metalheadz/Inertia) Exhumer (Metal Blade/Riot) Poor Moon (Sub Pop/Inertia) Joelistics (Elefant Traks/Inertia) Lostprophets (Sony) Breathe Carolina (Sony) Labrinth (Sony) Olly Murs (Sony

Germany. Frickin' Germany, man. Being the first Australian band to sign to legendary label Sub Pop is a testament to how special Husky are, and, with international releases of their

newfound confidence with moments of astounding brilliance as a rapper, such as the complex, pop culture-enthused wordplay on ‘ NY (Ned Flander) ’. However, these glimpses of impressive technical ability highlight ... that is much less than the sum of the group’s parts, hampered by sub-standard, lazily produced beats and samey verses laced with shamelessly transparent gimmicks. Several amazing tracks

Handpicking tracks from their debut album and recent EP, the Sydney band verge on pop punk perfection; short, simple, sugar-coated songs. Their cover of Mumford & Sons' Little Lion ... anything to go by. Taking the best parts of the hardcore and metal sub-genres and adding melody to their choruses, Parkway Drive have mastered their own sound

stellar release. Their latest opus is 2011's American Goldwing , their fourth release through Sub Pop, which sees Earley and the band delve into the past more than ever before

hardcore punk, doom and drone-metal through to pop, ambient music and psychedelic rock over the years. “Various titles or sub-genre tags will only ever show an outline

their last release (2011’s The End Of The World Party ) showed a more pop-punk oriented approach, I See Stars have returned barely a year later with the follow ... album difficult to differentiate from the plethora of bands in the electronic-post-hardcore sub-genres churning out very similar releases. Often seen as one of the pioneering bands that

after The Shins' three-record contract had expired with Seattle's Sub Pop, Mercer admits that he had grave doubts. “I just wasn't that excited to go back into ... wouldn't do The Shins again.” Port Of Morrow is The Shins' first non-Sub Pop record and is released on Mercer's own Aural Apothecary label through Columbia Records/Sony

charming British trio captivated the crowd with their signature brand of infectious indie-pop singalong tunes. Opening with Our Perfect Disease , The Wombats ignited dancing feet as well as simultaneously ... Venus stage. Scatting along to the electronic melodies, the crowd exploded with sub-par remixes of Tinie Tempah's Miami To Ibiza and Avicii's Levels , being further stimulated

Australia in October 2011. Just recently, they were picked up by legendary label Sub Pop ( Nirvana, Fleet Foxes ), who are due to release Forever So internationally in July this year