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like Don Broco, listening to stuff like that and then just applying a heavy tone and just keeping in the groove with it. He's really locked in, so yeah

Underneath , James introduces us to his ethereal falsetto and soulful raspy tones to instantly soothe our souls. "Are there any Meg Mac fans?" he asks us. He apologises

easy. He's got a wonderful voice, really powerful with a lovely tone. He can write a song. He's funny even when nervous. Nice turn of phrase. However, some

instruments fighting against one another, and while there’s plenty of definition in their tone, there’s not too much colour pumped through, which allows for a clearer view

home because of the dark eeriness the band presents them with tonight. The guitar tone has that warm vintage crackle that heightens the creepiness of these otherwise straightforward rock

they produce seals the deal. Soothing, deep and warm bass combine with clear mid-tones and crisp highs for the sort of clarity serious music lovers look for in over

feeling a little lost, the underlying music from Marr fits the tone perfectly. Even the verses of The Trouble With Us , the most upbeat track here, are made to float

long and a cold stillness lingered in the air, perfectly befitting the crisp tones of Dempsey's acoustic guitar. Cleverly stitching together a segue formed around the crowd's jubilant

Much more languid, and definitely lighter in tone than Apichatpong Weerasethakul's previous (and terrific) film,  Uncle Boonmee Who Can Recall His Past Lives ,  Cemetery of Splendour