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Need Entertainment is a plea, exploring the themes behind infatuation and longing. The tone of the song also takes a journey through valleys and peaks, symbolic of that infatuated mindset ... wrapped up and consumed by that person. The innocent and almost carelessly major key tone of the song really represents for me that mindset when you're wrapped up with

adaptation of Joan Lindsay's novel Picnic At Hanging Rock says in hushed tones of the eponymous stone formation. The teenage girl is climbing to the peak of Hanging Rock

about them”. Across the lyrics and the production this love song's unusual dark tone expresses the intensity of her feelings, the pain of having to hold them back

today also dropped a clip for the single and it really does epitomise the tone of the track. It's accentuated by pastels and a minimal sense of styling, something

foul-mouthed matriarchs who see institutionalised racism and call bullshit; her film taking the tone of a polemic. “What a dickhead!” spits one of them, midway into a talkback-radio

strong romanticism for breakdowns, and that time-stamped pingy snare drum tone; their sound screams "2003 metalcore" or "2005 Solid State Records". Their sound is as if those

that were performed across the day. There were two Outkast covers – Mallrat doing a toned down ‘Hey Ya’ and Winston Surfshirt doing a jazzed-out ‘Roses’. There was an absolute

trap and dubstep. Applied to a pop context however her production plus intoxicating vocal tone (complete with British twang) is hypnotic. 'I Like Being Bad' is one of the most

centre casts little circles of spinning light on the walls, perfectly setting the tone for an intimate, good-vibes-only show. Kid Heron  (aka Albert Milne) takes the stage